Below is a rather lengthy and detailed account of what happened to me
between Feb. 9-12, 1998, including my incredible luck in being able
to join Ben Folds Five onstage to play piano on a song at their show
in Dallas on Feb. 11.
Here's the short version: I'd been going
to their shows for years and had begged Ben to let me play a song
with them, but of course he was always politely non-commital. Before
the show started in Dallas, I stuck a note on the piano that said,
"Ben, let me play 'Best Imitation' with you!
-- Michael
Bluejay". They came out and started
playing, he saw the note and laughed but didn't say anything Then
halfway through the show he called me up on stage, gave me a big
introduction, and we did the song. I was incredibly lucky to have
this opportunity. And Ben and the boys must be given credit -- most
bands would never allow a fan to play with them. They're allright
guys, huh? Anyway, below is the big huge story if you want all the
sordid details.
After seeing me play with Ben Folds
Five, several people emailed me about it, or they posted about it to
the Magical Armchair (the BF5 email discussion list). Here are
selected comments. I didn't do the whiz-bang job that some people
said I did -- I think they were just excited that I didn't
particularly screw up the song. (That was my own biggest relief, for
sure.)
I visited your page, and as a pianist
who covered Jackson Cannery in his last defunct band, I have to give
you credit for turning in a winner performance on "Best Imitation."
You definitely held your own with one of the best live bands out
there!
[Ed.
Note: I just got very lucky, and it was a very easy
song.]
i was looking in newsgroups for sheet
music, and your name was mentioned, and i knew i knew that name from
a concert i went to in dallas of bf5's... and i just thought it was
neat how you have such a name for yourself. it was weird when i saw
you outside of deep ellum live i thought "man, that guy rules" then
you got up on stage and played "best imitation of myself", and i
thought, "it's the guy with the blue mohawk!".... it was pretty
cool... anyways, good job up there, hope to talk to you
soon.
Hey Michael, er, Mr. Bluejay -- I
stumbled upon your homepage and realized, damn, this is the guy who
played onstage at the Dallas BF5 show. I thought your hair was cool,
and then you got up there and wailed on the piano and it was
impressive! I was expected you to just improvise some 'Mary Had A
Little Lamb' knock off set to 'Summer B.' but you actually played the
song, and very well. And I was also jealous because you knew the
band, and they thought you were cool. ... And I enjoyed your
homepage, and I think I'll have to check out King Cheese soon. But
what the hell, I just thought I'd write and give praise to the guy
with the cool name and cool hair and ass-kickin tattoo.
-- joe k in east texas
I was shocked when someone from the
crowd actually got on stage. I thought you were GREAT!!! I remembered
seeing you outside the club while we were waiting to get inside. I am
so so so so so jealous that you got to hang with the band. Even more
so that you were onstage with them. BooHoo. If they only knew that I
can sing.....
I was extremely impressed with your
rendition of "Imitation" at the last Dallas show. At first I was a
little nervous to see non-Ben playing Ben, but then after the first
few bars it seemed totally natural.
My name is Ryan. I was at the concert in
Dallas a couple of weeks ago and I remembered your name when I saw it
on the Armchair. I thought that was awesome how you played that song
exactly like it is on the album!
[Ed.
Note: Actually, I didn't. I played the break after the first verse an
octave higher so it would be easier to hear, and the break itself is
a bit different. And I'm sure I missed all the nuances that Ben
plays. He's a master of nuance.]
...I talked to Ben and Robert after the
[St. Louis] show and they both said how Michael knew his
stuff and how he seemed to click. I thought that was truly cool of
them....
I was there when you played!! Katie had
told us a person she met on the internet was going to be there so
needless to say when you got up and played we all did back flips. I'm
a Dallas musician and didn't hear any flubs in your playing at
all.
When we talked to Robert after the St.
Louis show (which rocked except for the security guys who made us
leave the premises so we were forced to wait across the street for
the guys to come out) we asked him if it was you that played and he
said yes. He also complimented you on your playing. When we asked Ben
about it in Chicago (which really rocked because we got to go to the
'meet and greet' afterwards) he also said good things about you. So
sounds like you must have rocked!
Great job on Wed. night! ... I taped the
show on a Sony hand-held "cassette-corder". This is a crude
monophonic recording. But if you don't hear from anyone else, I'd be
glad to send a copy. Bad news, though, the last 15 seconds or so of
your performance got lost when side one ended and I had to turn the
tape over. Side two begins just as the song ends, so I didn't miss
any of Ben's kudos afterward.
The Dallas show was very very cool...The
highlight, (for me at least), was when Ben had Michael Bluejay come
up and play piano on "Imitation." Does Bluejay still frequent this
list? I've been off for a while. At any rate, it kicked booty. Good
job dude! (lucky stiff!!!)
I just wanted to tell you how envious I
am of you. I would give my first born to perform with BFF. You did a
fantastic job with Best Imitation of Myself.
Ahhh.. on Feb. 11th I saw Ben Folds Five
in Dallas and in Houston on the 12th... Dallas totally rocked!! ...An
old member of the armchair and pal of mine, Michael Bluejay, got to
join the band on stage and play "Best Imitation of Myself" on the
piano while Ben stood and sang. It was a great moment.
Holy Shit! How did you manage that one?
What an experience for you! Were you just freaking out? ... That was
great! I finally made it up front. That was an awesome show. ... Did
you go to the after party? A friend of mine is in charge of Marketing
for Blockbuster and said the party was pretty tight. ... Congrats
again on that one. That must have been amazing!
(The
following is my diary for the whole week in question. If you like,
you can skip
straight to the part
about my playing onstage with the band.)
Monday/Tuesday - The Trip to Denton
Ben Folds Five is playing in Dallas on
Wednesday and Houston on Thursday. I decide to take the Greyhound bus
from Austin to see them. And as long as I'm making the trip, I decide
to go up a day early, so I can do some more fix-up work on my mom's
empty house in Krum, which she's trying to sell. Mom lives in NYC
now. I did most of the work on the house during a five-day period
about a month ago, but I didn't finish everything before I had to get
back to Austin. So, I thought I'd go to Krum a day before the
concerts and install the mini-blinds and do a little touch-up
painting.
I ride my bicycle to the Greyhound
station in Austin at 1:00am Monday night. It's drizzling a little,
but I'm more concerned with the fact that I may not make it in time,
and that it's hard for me to hold my two bags while riding the bike.
(My last bike had big baskets to hold stuff, but that bike got stolen
a couple of months ago, and I haven't put baskets on my new bike
yet.) I run into my drummer's girlfriend along the way. Small world.
Anyway, I get to the bus station in time, lock my bike, and ride to
Dallas. I have to sit next to this great big guy which doesn't give
me enough room for me to have my right arm at my side. (Arm problems
are a recurring problem with this trip, as we shall see.) We arrive
in Dallas at 5:00am. I have to wait until 7:00am for the bus from
Dallas to Denton. I was unable to sleep on the bus so I'm pretty
tired. In the Dallas terminal, I watch a kids program on TV called
"Bananas in Pajamas". What'll they think of next?
I get the bus from Dallas to Denton and
arrive at 8:30am. I get a taxi, and stop by Albertson's to buy a
2.5-gallon container of water (the water's not on at mom's house and
I'll need water for cleaning up) and a pillow, since I haven't slept
all night. I was thinking of buying a cheap bicycle at the Goodwill
and riding it to Krum, but I'd have to wait another 1.5 hours until
10:00 for Goodwill to open, and I was so tired I just wanted to get
to the house. The cabbie takes me there, and it costs $25 including
tip. Ouch. I arrange for the cabbie to pick me up at noon the next
day. I have to make him promise to come back since there's no phone
at my mom's house and it's three miles to a pay phone and I'm on
foot.
I sleep on the floor with my Albertson's
pillow until the afternoon. Then I get up and do the work I came to
do: Painting the patio door, BBQ grill, and landscaping lights;
installing vertical blinds and mini-blinds; and cleaning the kitchen
floor. By 11:00 that night, I'm done. I had planned to spend the
night in the house, but I'm not sleepy, and I'm bored because there's
nothing to do -- no radio, no TV, nothing to read, no one to talk to.
And I'm going a little stir crazy being in that big empty house,
ESPECIALLY since it's kind of weird that I grew up in that house and
hadn't been there for ten years (besides my going there about a month
ago for the initial fix-up). And during that initial fix-up, I put in
72 hours of work over 5.5 days, including an all-nighter the last
day. So I was sick of the house and ready to split. But I couldn't
call a cab from Denton, since there was no phone.
I decide to walk to Krum and call a cab
from a pay phone. It's three miles along an old, dark country road to
Krum, and it proves a little more difficult than I expected, because
I'm wearing dress shoes (the only shoes I have at the moment), and
because I'm carrying my two bags (of tools, food, water, and
clothes). Plus, it's pretty cold. In the 50 minutes it takes me to
make the trip, only five cars passed me. I get to Krum just before
midnight. I try to call a cab from the pay phone, but they don't
answer! They must not run that late. Great. So, now I'm stuck in Krum
without transportation or a place to stay. Now I really wish I'd
gotten that bicycle. I try to sleep on a bench, but it's just too
cold. It's three miles back to the house, or six miles to the Motel 6
in Denton. I can't stomach going back to the house -- I hate it
there, and I don't like the idea of wasting the effort it took me to
walk into Krum in the first place.
I decide to head to the hotel. I walk
four miles from Krum to the highway (I-35) in Denton. I can tell that
I'm gonna have blisters on my feet from walking in dress shoes, but
my arms hurt even worse. Hell, walking 20 miles would be nothing as
long as I wasn't carrying a load, but the bags were murder on my
arms. One of my bags is actually a briefcase, and I consider trying
to ride it down one of the hills, but decide against it. Anyway, when
I get to the highway, it's just two more miles to the hotel, but an
old man on his way to work at a night job offers me a ride as soon as
I get to the highway.
I go to the Denny's next to the hotel
before I check in. I haven't talked to anybody all day and I feel
like being around people. I get a newspaper -- ah, sensory input!
There's nothing vegan on the menu, so I just have some orange juice.
There's nearly nobody in the restaurant. There are a couple of Asian
girls studying near my table. I move to the other side of my table so
I can hear them better so I can see if I can hear what language
they're speaking. It's difficult, because they're not saying much,
and when they do, they're very quiet. At last I'm certain --
Japanese. Just my luck, because I speak some Japanese from when I
studied it in college. I turn around and ask, "Chotto sumimasen ga,
issho ni hanashite mo ii desu ka?" (Pardon me, but may I join your
conversation?) Of course they're stunned that I speak Japanese, and
invite me over. We chat, I explain that I'm from Austin, they ask why
I'm in Denton, and I explain that I'm going to the Ben Folds Five
show in Dallas the next night. They tell me that they're big BF5
fans, but that they don't have tickets. I explain that I have an
extra ticket that I'll trade for a ride to Dallas. (I had planned on
taking the bus.) They're ecstatic, and figure they can get another
ticket at the show. I give them my extra ticket, and make plans to
meet them tomorrow for the ride to Dallas. Sure they could just leave
with my ticket and not return to pick me up, but I trust them because
they're Japanese. I wouldn't have given my ticket ahead of time to an
American. I ask if they would be willing to let me sleep on their
floor tonight so I wouldn't have to spend money on a hotel, and I
show them that I even have my own pillow. They thought the pillow
thing was funny, but their answer was, "Mmmmmmm...." Japanese are
unable to say "No" to turn down a request. I realize this and thank
them anyway, and tell them I'll see them tomorrow. ("Jaa, mata
ashita.") I check into the hotel and go to sleep around
2:30am.
I get up early to call the cab service
to tell them not to come pick me up at the Krum house after all, then
I go back to sleep. I check out late at 2:00pm, but I talk the clerk
into only charging me for one day since I was there for less than 12
hours. I was going to get a cab to take me to Albertson's, but I'll
have to wait 15 minutes for a cab, and I could walk it in 20. So I
walk. Along the way, I dispose of my biodegradable banana and orange
peels in a field. Next to Albertson's, there's a piano store, so I
stop in and play a few licks. I mention to the salesperson that Ben
Folds is playing in Dallas tonight. She says she knows, but she can't
go because she can't stay out late. Now I'm off to UNT (University of
North Texas). It's only 1-2 miles away, so I figure it's not worth
taking a cab, so I walk again. I regret this decision about halfway
there since my arms are REALLY hurting after my marathon walking the
last two days. I finally arrive, and have the Japanese eggplant at
Mr. Chopsticks. I play the Journey videogame at the Kharma Cafe, and
after four games, I rescue all five instruments and Journey plays the
special concert. Then Megu and Maiko (the Japanese girls) arrive and
we head to Dallas.
I get in line at the club (Deep Ellum
Live) and Megu and Maiko scramble to try to find an extra ticket. If
they can't find an extra ticket, they're going to sell the ticket I
gave them, and go home. This is a problem, because my bags are in
their car, and if I go inside when the doors open, how are they going
to split with my bags in their car? But I really want to get a good
spot near the stage. What to do? I decide that if they can't get a
ticket and decide to go home, they'll just take my bags home with
them and expect to hear from me the next day. I hope they won't be
too mad.
Nikki Jones from Houston comes up and
asks if she can cut into line with me. Sure. I met here at one of the
very first BF5 shows in Austin, two years ago. She tells me she hopes
BF5 doesn't play Brick (their big hit), but I don't say much about
that. Right before the doors open, some guy hands me a BF5 sticker. I
go inside, grab a spot right in front of the stage, and see some
acquaintances from Austin in the same spot: Oz, whom I met at the BF5
show in Austin and whom I've run into at Tower Records (where he
works), and his friend Merilee, who introduced herself to me when she
heard me playing BF5 on a campus piano once. I tell Nikki that the
reason I didn't respond to her Brick comment in the line outside was
that I had been talking to the people behind me in line before she
got there -- an older couple, in their 50's -- and they had told me
that they were at the show because they won tickets on Mix 102, the
adult contemporary radio station, and that they didn't know *any* BF5
songs besides "Brick"! She thought that was pretty funny. Megu and
Maiko arrive -- they got the extra ticket. (Whew.)
One of my goals in going to these shows
was to play onstage with the band. I'd asked Ben about this once in
an online forum almost a year ago (he said he'd get back to me about
that, but didn't), and once after their show here last fall (he said,
"I suppose so," but he said it like he was really annoyed, so it was
hard to tell what he really meant). At this show, I make a little
note that says, "BEN -- LEMME PLAY 'BEST IMITATION' WITH YA!
--MICHAEL BLUEJAY". That sticker the guy handed me outside was a
blessing, because I needed some adhesive to stick my note to the
piano. I climb onstage and stick my note on the piano, but
immediately there's a security guy there, who not only makes me get
off the stage (I was leaving anyway), but MAKES ME TAKE THE NOTE OFF
THE PIANO! Jerk. So we wait for the opening band, then we wait
THROUGH the opening band (country music isn't exactly my favorite),
then we wait for BF5. The roadie (Leo) wheels the piano RIGHT IN
FRONT OF US, close enough to touch. I'm only one person deep from the
stage -- there's a girl right in front of me. She reaches up and
sticks my note on the piano, immediately to the right of the
right-most key. When Leo comes back to test the piano, he sees the
note. I'm worried that he'll take it off, but he just
laughs.
The band comes out and starts playing
Dr. Pyser, my favorite. Ben doesn't notice the note until about
halfway through the song. His head stops as he catches sight of it,
then he crooks his head to read it, and after he reads my name at the
bottom, he smiles and looks up in the crowd to see if he can see me.
(He knows what I look like since I've been going to their shows since
the beginning and I always say hi afterwards.) I'm right in front of
him so I wave and he nods. I don't yell anything -- he knows my
request, I'm not gonna pester him about it. They keep playing, then
halfway through the show, he goes over and talks to Darren (the
drummer) and Robert (bass player) briefly, then goes back to the
piano, and into the mic he asks me to come up on stage. He says,
"Michael...would you come up? This is, uh, this man, Michael Bluejay,
if you know him, he's from Austin. We've seen him for a few years now
and he's become a bud, and I've never heard him play piano before but
I trust just by looking into his eyes, that he can do it... And that
allows me to stand up some more because, you know, what the
hell?"
When I sat down, I was actually a little
uncertain which octave to start on, because I'm used to playing a
61-key electric keyboard rather than an 88-key grand. I
asked:
Me: Is it here, or here? (gesturing)
Ben. It's up here. It's in "C".
The octave was one thing, but did he
really think I didn't know what KEY the song was in? Maybe he was
just kidding. So I asked, "Which one's 'C' ?" (You can barely he me
ask this on the recording.) He probably figured I was kidding,
because he didn't reply, but just walked straight to the center stage
mic.
I had hoped he would sing from atop the
piano, but I forgot to mention it to him. I pushed the sustain pedal
down to get used to it and suddenly got scared because I thought it
wasn't pushing down. Then I realized that Ben's sustain pedal just
has a really short range of motion. Weird, but I can deal with it. He
started singing, and I came in where I was supposed to a couple of
words later, then Darren came in, then Robert. I had a little trouble
balancing on his stool -- I play standing up in my band, or I use a
chair at home. I wanted to lean back, but his tripod stool was a
little tricky. Anyway, I looked mostly at the keys while I was
playing -- I can play without looking, but I was intent on not
fucking up the band's song right in front of them and 1000 of their
fans. Halfway through the song, I realized that I wanted to have the
memory of seeing what it looked like to play on stage, so I made a
point to look out to the crowd, and at Darren, Robert, and Ben.
Darren was smiling like he was gonna crack up, and Robert's look
somehow made me feel like a professional. Ben was smiling quite a bit
to, and gesturing towards me (like I needed any help drawing
attention to myself at that point!) At one point in the song when
there's no bass part on the piano, but there's a little bass guitar
solo, I continued playing with my right hand while I pointed at
Robert. Megu and Maiko snap pictures of me. (Shashin o
totta.)
I thought I played the song reasonably
well. I actually hadn't played the song in months, or heard it for a
couple of months either, but it's far and away Ben's easiest song,
and truth be told, it's pretty hard to screw up. I mean, even "Brick"
is slightly more intricate. That's one reason I picked that song -- I
wanted one without solos because fans paid to see Ben play the solos,
not me. I also wanted a song that wasn't a single, because again,
fans came to see Ben do the band's hits, not some other guy. And
finally, this is the band's shortest three-piece song (2:48). So I
think that song was the least distracting song possible. In addition,
sometimes when they do that song live, Ben doesn't play piano, but
sings it from atop the piano, semi-acapella. Considering all these
multitude reasons, I think I made a damn fine selection with "Best
Imitation".
After the song was over, I said into the
mic, "Thanks, I can die happy now," but I think they had my mic
turned off because that bit didn't make it onto the recording. Then I
promptly hopped off the stage. I didn't want to wear out my welcome
like Steven (in their song "Steven's Last Night in Town"). There was
lots of applause, but Ben demanded even more for me. Robert said,
"That's the best-ever version of one of our songs I've heard a piano
player do." I don't believe that for a minute, but it was a nice
gesture.
Back to the narrative. The rest of the
show rocked, as usual. After the show, several people wanted my
autograph. I think, geez, I get more notoriety for playing with BF5
for ONE NIGHT than I do for playing with my own band in Austin for
the last THREE YEARS. I mean, people come up to me after my shows to
compliment me, but they don't want autographs. Okay, I guess I know
why there's a difference, but it's a sad reminder that I'm no Ben
Folds. Every time I see Ben play, I feel a combination of intense
motivation to get better at my craft, simultaneously coupled with a
feeling that it's hopeless because I can never be that good, and that
I might as well just give up.
Anyway, I found Darren and Robert, who
were both really good sports and commended my playing rather than
downplaying it. What great guys. I got to ask Darren how Ben
convinced them to join a band that he was naming after HIMSELF, and
he said that they actually didn't have a name when they started out,
and played under a couple of names for a while, the first one being
"Rosetta Stone". He confirmed for me that Ben's reference to Darren's
old band as "Uncle Plastic Bitch" was just a Ben joke. I commended
Darren for getting into Modern Drummer, for his stick throw, and for
the fact that he's one of the few drummers that MY drummer is
impressed with. I told Darren that he probably didn't remember the
first time we met, at SXSW in Austin two years ago, but he chimed
right in with, "Oh yeah, you brought your keyboard there on your
bicycle." I take a picture of Megu and Maiko with Darren. I talk to
the tour manager, Doug, quite a bit. He's really a great guy. He
mentions that he's nice to fans because the band wants him to be nice
to the fans, which he enjoys, but he's worked for other bands where
they paid him to be a dickhead!
I find some fans who promise to give me
a ride to the Houston show the next day from Dallas, and then Megu,
Maiko, and I return to Denton. I don't know where there are any cheap
hotels in Dallas, so I figure I'll just stay in the cheap Denton
hotel again, and take the bus to Dallas the next day.
The next day, before taking the bus to
Dallas, I try to go see my old piano teacher. I haven't seen her
since I was about 15, which was 15 years ago -- half my life ago. She
wasn't in, but I left my card on her door. I'll call her when I get
back to Austin. I take the bus to Dallas, and wait outside in the
drizzle for my ride. By 4:35 they haven't showed up, and the last bus
to Houston leaves at 5:00. I'm gonna have to decide in the next few
minutes whether to give up on them and take the bus instead.
Fortunately, they show up at the last minute. Unfortunately, their
windshield wipers are broken and it's raining.
We get there at 8:30, and there's the
hugest line in the world. I get out of the car, and I discover that I
can barely walk because my feet are so sore from all the previous
walking I did. Now my task is to find Amy, who's supposed to give me
a ride back to Austin. Unfortunately, I don't know what she looks
like... She saw me playing BF5 on campus, and sent me an email after
seeing my post on the BF5 mailing list. So, at least she knows what
*I* look like. The line is huge, so I start walking down the line,
saying, "Amy, Amy, Amy, Amy..." After only a couple of feet, she
says, "Michael!" Wow, I found her within the first couple of feet of
the incredibly long line. What luck.
I get inside, and it's difficult to
fight my way to the front of the stage. People are not very happy
about my doing that. When I get to the front, there's Oz, Merilee,
and Nikki again. When Leo's setting up the piano, he asks me what
song I'm gonna play tonight. I tell him that I'm not gonna keep
asking and wear out my welcome, but if Ben *asks* me to play with
them, then sure, I will. Ben sees me when he comes out, but doesn't
invite me to play with them again during the show. I don't mind at
all -- I was really happy just to play with them that one time. I
kind of wish that had happened in Austin, where people actually KNOW
me, but oh well. Near the start of the show, while they're playing,
Robert notices me in the audience and mouths the words, "Hi,
Michael." It's so good to be recognized by these guys, my biggest
musical influence.
And now for my third and final arm
problem. The first time was on the bus, when there wasn't enough room
for my arms when sitting next to the fat guy. The second was carrying
those two bags all over the planet. The third was at the Houston
show, where we were packed so tightly that you couldn't stretch your
arms. There was a really cute girl behind me, and I asked her if I
could put my arm around her so I could stretch my arm. I was gonna
feel really embarrassed if she said no, but she agreed. And although
it's really true that the reason I asked was because I wanted to
stretch my arm, I have to admit that I also enjoyed having my arm
around her. Later in the show, I did let her trade places with me a
few times, so she could get right up to the stage and see, because
she was a little shorter and couldn't see over Oz. I've seen BF5 play
so many times already, and I got to play with them the night before,
that I thought I shouldn't hog the experience. It felt good to
share.
After the show, I talked to Ben and
asked him about an item up for bid in a celebrity auction this
weekend that I was thinking of bidding on, described only as "Ben
Folds Five electric piano". He told me that he only had two, a
Wurlitzer and an Ensoniq Mirage, and he never donated them, so he
thought the auction was probably bogus. The three guys each mentioned
again how fun it was having me play with them the night before. I
tell Ben that I still want to open for them in Austin, and that I'll
work on Wolmark (their manager). I wind up riding back to Austin not
with Amy, but with Oz, Merilee, and their friend Kevin.
A couple of days after I got back to
Austin, I went to the auction anyway to see the "Ben Folds Five
electric piano", and it turned out to be an autographed synthesizer,
not an electric piano -- and an ancient crappy one, at that. Ben had
probably thought I was asking whether the keyboard was supposed to be
HIS, rather than just an autographed keyboard. Actually, I didn't
know WHICH it was supposed to be when I read the auction
advertisement, so I didn't even know how to ask him about it. Anyway,
the three signatures looked authentic -- but I didn't really want to
bid on it.
To sum up my experience in playing with
the band, I've never been happier in my whole life. Playing with BF5
was better than the best sex I ever had. I feel remarkably and
surprisingly more self-confident. Perhaps more importantly, I've
decided to re-commit myself to music now. I really want to be able to
play like Ben, and I'm convinced that nobody can teach me how besides
him. I'm thinking of trying to get a job as a roadie on their tour,
and see if Ben can give me a lesson once in a while. It's a long
shot, but so was playing onstage with an internationally-famous pop
band with a #6 single. I've got nothing to lose by trying. And while
I'm waiting to see how that pans out, I'm going to be working on
practicing by myself, and trying to get a second band started. It's
good to be focused.
Another fan plays with
Ben
Don Walter played One Angry Dwarf with
BF5 in April 2000. And according to Sledge, he "kicked
Michael Bluejay's ass".
This
poster has absolutely nothing to do with me -- you'll notice
that it's dated a couple of months before the story above
happened. Yet, the coincidence is striking -- a pianist with
a mohawk and a bag trying to get a ride to a BF5 show.
Thanks to
for letting me know about the poster. I found this poster at
an online shop (Phil-A-Arts.com), but that website seems to
be gone now.
Listen to free samples
Listen to the samples of the entire Ben Folds Five
catalog on iTunes for free
The Sound of the Life of the Mind (2012)
1. Erase Me
2. Michael Praytor, Five Years Later
3. Sky High
4. The Sound of the Life of the Mind
5. On Being Frank
6. Draw a Crowd
7. Do it Anyway
8. Hold That Thought
9. Away When You Were Here
10. Thank You for Breaking My Heart
Ben, Darren, and Robert rode bicycles in the Uncle
Walter
video. If you ride a bike, check out my guide to How
to Not Get Hit By Cars.
Ben told me in 1998 that
Darren Jessee (BF5's
drummer) is a vegetarian. Vegetarianism and even
veganism are a lot more common now than they were in the 90s, so props
to Jessee for being ahead of the curve on that one. Other
vegetarian musicians include as Paul McCartney, Prince,
Madonna, Natalie Merchant, and a host of others (including many you've
never heard of, like me). Get the scoop
on meatless diets on my Vegetarian
Guide site.